Psychoanalytic
criticism is a form of literary criticism which uses some of the techniques of
psychoanalysis in the interpretation of literature.
Psychoanalysis
is a form of therapy which aims to cure mental disorders “by investing the
interaction of conscious and unconscious elements in the mind.” (Oxford
Dictionary)
For
psychoanalytic critics, works of literature are simply another manifestation of
the mind’s unconscious desires and processes. Much like in dreams, repressed
messages are hidden beneath the surface of these texts. By examining a work’s
symbolism and the words that the author uses, psychoanalytic critic delves into
the mind of an author or a fictional character.
There
are several prominent points of psychoanalytic criticism such as Unconscious,
Oedipus complex, dilemma, dream, symbolism and state of mind.
Sigmund
Freud was the first psychoanalyst and the pioneer in the recognition of the
importance of Unconscious mental activity. His theories on the inner workings
of the human mind which seemed so revolutionary at the turn of the century are
now widely accepted by most schools of psychological thought. French
psychoanalyst Jacque Lacan contributes to the later development of
psychoanalytic criticism bringing a brand of non- traditional psychoanalytic
theory.
Now,
in the light of these concepts of psychoanalytic criticism we are going to
analyze the text of Shakespeare’s Hamlet.
Unconscious Dominant over the
Conscious
An
important aspect of psychoanalysis is the fragmentation of human mind between
Conscious and Unconscious. All of Freud’s work depends upon the notion of the
Unconscious, which is the part of the mind beyond consciousness. Most of the
duration of our life is Unconscious which has a strong influence upon our
action. In his Iceberg Theory Freud compares human psyche with an iceberg.
According to him human mind is like a floating iceberg, its major part that
11/12 remains under the water and only a small portion that is 1/12 can be
visible. So, the invisible part which remains under the water is like the
Unconscious of psyche. Naturally our life is subjected to domination by it.
Freud’s formulation again that psychologically we are “not master in our own
house”.
Unconscious
is the reservoir of primitive desires and instincts; store house of hateful,
shameful, and sorrowful experiences. The components of the Unconscious are so
unsocial, sinful, hateful, and painful that even the person feels ashamed while
thinking about them. Again human mind is also divided into three parts: Id, Ego,
and Super-Ego. Id is actually guided by the pleasure instincts; it is
completely irrational and not ideal. It resides completely in Unconscious and
is biased by animalistic instincts. Ego is a part of Id being reformed by the
touch of reality, mainly resides in the Conscious and guided by reality
principle. It is rational and real. Finally, Super-Ego is the part of Ego
constructed by social rules and morality, guided by morality principle. It is
partly conscious and partly unconscious. It is extremely ideal. These are
different state of fragmented mind. Therefore, we can say that from
psychoanalytical point of view Hamlet’s mental state is also fragmented. We are
willing to peep into the psyche of Hamlet to clarify the domination of
Unconscious upon him.
Apparently
it is seen that Hamlet is well aware about his action. He is a responsible
character and reflective about past and future. But as we are to evaluate his
psyche we have to go beyond the reality and to sort out what happening in his
Unconscious mind. Hamlet has Unconsciousness about the external world and his
ego is hindering him to create any chaos. So when he is informed by the Ghost
that his uncle Claudius is his father’s murderer consciously he does not take
any attempt to kill him. It can be because of his responsibility as a prince,
as a well educated fellow and a responsible son. Again we can say that another
idealistic part of mind is Super-Ego. Hamlet is also influenced by the ideal
state of mind because he does not kill Claudius at prayer. It is because of his
perception of religion which influences him for not taking any step. Now it is
seen that the sides of Ego and Super-Ego of Hamlet are driven by reality
principle and he feels the necessity of being Conscious before taking any step.
Sometimes
it is argued that Hamlet is Conscious enough as he makes the script of the play
“The Murder of Gonzago” and stages
it. Obviously he is Conscious about his decision what he should take in which
moment. Psychoanalytical criticism does not deny his Consciousness about
reality. But it wants to say that Hamlet is mostly driven by his Unconscious
desires. It is his Unconscious desire to save his mother. Though he becomes
able to identify his father’s murderer ultimately he fails to kill him. He
delays this incident in different excuse and it is only because of his
Unconscious mind which is in favor of his mother.
Now,
the desire of his Unconscious mind or the libidinal Id is presented by the
Freudian idea of Oedipus complex as a form of mother fixation.
Oedipus Complex
The
idea Oedipus Complex comes from Sophocles’ Oedipus
Tyrranius. Oedipus Complex is described as a state of psychosexual
development and awareness of the male child. In this process, the male child
feels attraction for its mother and repulsion for the father. When a male child
becomes fixated on its mother he will fail to establish a successful
relationship with other woman in a natural way .If the male child can not
develop his childhood smoothly he will suffer different kinds of psychical problems.
In Hamlet’s character, the problem of Oedipus
Complex was first sketched out by famous psychiatrist Sigmund Freud in his book
The Interpretation of Dreams.
Hamlet’s father is murdered by his uncle, Hamlets uncle who then marries
Hamlet’s mother. The ghost of Hamlet’s father appears to Hamlet and tells him
to avenge the murder by killing his uncle. But Hamlet spends most of the play
delaying and making excuses, though he gathers some concrete evidences after
playing The Murder of Gonzago. It proves that Hamlet has an Oedipus Complex, a
repressed sexual desire for his mother. Thus, the uncle has done what Hamlet
himself wished to do. So it is the difficulty for him of being avenger. In the
bedroom scene, Hamlet shows the awareness of his mother’s sexuality. Most of
the time we see Hamlet is very much jealous about his mother’s hasty marriage
with his uncle than his father’s death. Hamlet’s scold and jealousy make him
crazy. And he speaks with his mother like a failure beloved not like a son. Out
of his jealousy he tells his mother directly that –“go not to my uncle’s bed”
(Act -III). It is evident that Hamlet is obsessed with his mother’s
sexuality. Hamlet cannot tolerate that
his loving mother is captured by another man. Again another explanation we can
set that hamlet’s delay is caused by his own-self. Taking revenge on Claudius
is considered revenge on Hamlet’s own psyche. Unconsciously he wants not to
take revenge .Though he takes revenge for conscious ego , it is the tragedy of
Hamlet who fixated towards his mother.
Hamlets
deep Oedipus feelings make him fixated towards his mother. As a result, he
fails to establish a good relationship with Ophelia. His fixated motherly image
is reflected in Ophelia. As a result Hamlet judges Ophelia through the hateful
act of his mother and behaves cruelly. Actually Hamlet has no direct attraction
or stable feeling for Ophelia. His actual attachment is with his mother who
hurts him through the hasty marriage with his uncle. From the psychoanalytical
view we can say that Hamlet’s treatment of Ophelia shows an unconscious desire
to play with her off against his mother. For instances, in the play scene he
replies to his mother’s request sit by Ophelia with the words: “No good mother,
here’s mental more attractive”. [Act –III, scene –ii] Before Hamlet died he
says good bye to the “wretched queen” which suggests that Hamlet never resolves
his father issues and maternal fixation. Oedipus complex results in various
mental predicaments in Hamlet.